Razin's compositions are wild, inventive "universes" that involve the whole of each of the artists instruments. Razin and Ivanushkin use all of their instruments (at times, I thought Razin was going to climb into the piano and Ivanushkin was banging on his bass so much that he knocked his pickup clean off and tore a number of guts on his bow). Komova's contribution to this is a rich, beautiful voice that she uses, without words, to mimic a trumpet or other instrument, scat, or create voice soundscapes. Both Razin and Ivanushkin also vocalized. At times the interplay of vocalizations with Razin's and Ivanushkin's playing seemed like a conversation, but again without words. Most importantly, their music, although incredibly serious and highly sophisticated, was full of wild, slapstick humor. It made for a wonderful musical experience...